Image 3 / 11:
Jeffry Mitchell.
The Tomb of Club Z (vitrine).
Image 4 / 11:
Jeffry Mitchell.
Bear Backs.
Image 5 / 11:
Jeffry Mitchell.
The Tomb of Club Z.
Image 6 / 11:
Jeffry Mitchell.
Pickle Jar (Monthra’s Egg).
Image 7 / 11:
Jeffry Mitchell.
Ohio Honey Pot #9.
Image 8 / 11:
Jeffry Mitchell.
Hand (Christ the Teacher).
Image 9 / 11:
Jeffry Mitchell.
Tulips.
Image 10 / 11:
Jeffry Mitchell.
Bruno Poster.
Image 11 / 11:
Jeffry Mitchell and Tivon Rice.
Panda.
For the past 25 years, Jeffry Mitchell has approached his artistic exploration of the shared human experiences of love, death, sex, and spiritual trial and redemption with sincerity and intuitive intelligence. His art radiates with a charming appeal, marked by an exuberant abundance of forms, materials, and techniques. From his earliest experiments with resin and paper to his extended engagement with ceramics and his latest multi-part installations, Mitchell has consistently investigated the decorative and the theatrical and blurred distinctions between art, craft, and functionality.
Mitchell has developed a distinctive visual language full of symbolic characters like alphabet primers, flowers, elephants, bears, and other flora and fauna. What might first appear as child-like sweetness or nostalgic sentimentality quickly gives way to complex emotional content and deeper narratives that touch upon his identity as a creative artist and gay man as well as his working class Catholic background. Mitchell also responds to specific aspects of the history of art, craft, and visual culture. He fashions sophisticated twists on sources as diverse as Chinese funerary sculpture, folk art, Russian Constructivism, watercolor nature illustrations, and modernist assemblage.
On this occasion, the Henry will publish in cooperation with Marquand Books the first monograph of the artist’s work. This fully illustrated volume includes essays by exhibition curator Sara Krajewski, Matthew Stadler, Patterson Sims, and Sam Korman; a conversation between Mitchell and artist Matthew Offenbacher; and anecdotes from Eric Fredericksen, Tina Hoggatt, Kristan Kennedy, Jeanne Quinn, Hanneline Rogeberg, and Tommy White.
Organized for the Henry by Curator Sara Krajewski with generous support from the Paul G. Allen Family Foundation.
Featured artists: Jeffry Mitchell
Image 1:
Jeffry Mitchell.
Foo Dogs #3.
2005.
Earthenware with metallic glaze.
Private collection. Image courtesy of James Harris Gallery, Seattle. Photo: Richard Nicol.
Image 2:
Jeffry Mitchell.
Pickle Jar.
2005.
Earthenware with metallic glaze.
Miller Meigs Collection. Image courtesy of James Harris Gallery, Seattle. Photo: Richard Nicol.
Image 3:
Jeffry Mitchell.
The Tomb of Club Z (vitrine).
2006.
Low-fire glazed earthenware, wood, glass, and metal.
Courtesy Western Bridge, Seattle. Collection of William and Ruth True. Photo: Mark Woods Photography.
Image 5:
Jeffry Mitchell.
The Tomb of Club Z.
2006.
Hand-made paper, silkscreen on paper, wood, and cloth.
Courtesy Western Bridge, Seattle. Collection of William and Ruth True. Photo: Mark Woods Photography.
Image 6:
Jeffry Mitchell.
Pickle Jar (Monthra’s Egg).
2011.
Glazed earthenware.
Courtesy the artist and AMBACH & RICE, Los Angeles. Photo: Eric Fisher.
Image 7:
Jeffry Mitchell.
Ohio Honey Pot #9.
2010.
Glazed earthenware.
Courtesy the artist and AMBACH & RICE, Los Angeles. Photo: Eric Fisher.
Image 8:
Jeffry Mitchell.
Hand (Christ the Teacher).
2009.
Lead-glazed earthenware.
Private collection. Image courtesy of James Harris Gallery.
Image 9:
Jeffry Mitchell.
Tulips.
1989.
Engraving with chine collé and watercolor.
Henry Art Gallery, gift of JPMorgan Chase, 2009.12. Photo: Richard Nicol.
Image 10:
Jeffry Mitchell.
Bruno Poster.
1992.
Lithograph with watercolor on paper.
Private collection. Photo: Richard Nicol.
Image 11:
Jeffry Mitchell and Tivon Rice.
Panda.
2005.
DVD; Length: 59:00 minutes.
Henry Art Gallery, purchased with funds from Clint Willour, 2009.1.