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Maya
Lin: Systematic Landscapes
STROUM
AND EAST GALLERIES
April 22– September 3, 2006
AUDIO:
Exhibition
Curator Richard Andrews tours Maya Lin: Systematic Landscapes
(27.5 MB)

Maya
Lin. Water Line. 2006. Aluminum tubing and paint. Photo:
Colleen Chartier.
This
summer, the Henry devotes its expansive Stroum and East Galleries
to a dramatic exhibition of new work by Maya Lin. Systematic
Landscapes, organized by Henry Art Gallery Director Richard
Andrews, focuses on a trio of large-scale sculptural installations
that offer a different means for viewers to encounter and comprehend
the landscape. 2x4 Landscape is a vast hill or wave built
of 65,000 boards set on end; Water Line, a distorted grid
in space, can be walked under or viewed from above. Visitors can
walk through Blue Lake Pass, modeling an actual mountain
range near the artist's Colorado home that is sliced into a grid.

Maya
Lin. Blue Lake Pass. 2006. Duraflake particleboard. Photo:
Colleen Chartier.
Systematic
Landscapes complements the Confluence Project, a grand collaboration
between Lin, the Confederated Tribes of the Umatilla, the Nez Perce
Tribe, the Lewis and Clark Commemorative Committee of Vancouver/Clark
County, and the Friends of Lewis and Clark of Pacific County. The
models and designs on view mark sites of contact along the Columbia
River between Native Americans and the Lewis and Clark Expedition.
Maya
Lin has continuously addressed notions of landscape and geologic
phenomena in her work. She has an extraordinary ability to convey
complex and poetic ideas using simple forms and natural materials.
She thinks and works in a scale that relates to the land. This exhibition
is a meditation on our relationship to landscape, whether direct
or reinterpreted via computer or satellite imagery. Wedding a deep
interest in forces and forms of nature with a long-term investigation
into the possibilities of sculptural form to embody meaning, Systematic
Landscapes offers a rich, immersive experience for visitors.
Following the model of previous Henry exhibitions of the work of
Ann Hamilton and James Turrell, Systematic Landscapes confirms
the museum's commitment to the art of our time and to the possibilities
of contemporary installation art.
For more information about Maya Lin's Confluence Project, please
visit the Project's website at www.confluenceproject.org
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The Henry Art Gallery is delighted
to exhibit Maya Lin's Silver River as part of the
exhibition Systematic Landscapes.
Sales of this signed and numbered edition of 30 benefit
the Henry Art Gallery and the Confluence Project. For information
on acquiring Silver River, please contact Leila Martin,
Director of Development at the Henry Art Gallery, at leila@henryart.org
Maya
Lin. Silver River. 2006. Cast silver, Custom Saifu-covered
portfolio box (not shown). Photo: Richard Nicol.
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The
Henry thanks the following crew for all their hard work in the creation
of Maya Lin: Systematic Landscapes:
CONSTRUCTION
ENGINEERING: Ben Black, Richard Manderbach
EXHIBITION
COORDINATION: Jim Rittimann, Sallie-Jo Wall
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Maya
Lin. 2 X 4 Landscape. 2006. Wood. Photo: Colleen Chartier.
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FABRICATION CREW:
Eric Adami (lead), Dan Gurney (Lead), Laura Reiter (Lead), and James
Basilio Allen, Nathan Baerwald, Jessica Bender, Michael Bruce, Webster
Crowell, Eric Eley, Brennan Emerson, Lynn Fleming, Jay Humphreys,
Scott
Hunter, Max Krukhat Pethe, Christopher Pfeifle, and
Eli Steurich
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Organized for the Henry Art Gallery by Director
Richard Andrews. Major support for this exhibition has been provided
by the Paul G. Allen Family Foundation, ArtsFund, The Boeing Company,
PONCHO, and donors to the Special Exhibition Initiative. Additional
support provided by Peter Norton Family Foundation, Kongsgaard-Goldman
Foundation, Haas Charitable Trusts, Simpson Timber Company
Northwest, NBBJ Group, Bohlin Cywinski Jackson, Trillium Corporation,
and the Washington State Arts Commission. In-kind support provided
by The Seattle Times, KUOW 94.9, Grant Hyatt Seattle, KrekowJenningsInc.,
Vulcan Inc., and The Stranger.
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