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Elusive Signs: Bruce Nauman Works with Light
STROUM GALLERY
February 10 — May 6, 2007

Bruce Nauman, the iconoclastic bad-boy hermit genius of the American art world, is surely one of the most influential artists working today. His innovative videos—monitor or projection,
multi-channel and sculptural or singular and iconic, his wrenching figural castings, his conceptual word play, his disturbingly anonymous architectural constructions, have each spawned major strands of present-day international art practice. But an amazing number of his greatest themes occur in neon or other works he has made with lights, in the sporadic series begun in 1966 with Neon Templates…, one of a cluster of his provocative explorations of the body of the artist.
From these earliest neon works—which include The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) and My Name as Though It Were Written on the Surface of the Moon — to spirited if transgressive drawings of his cartoony clown subject limned in neon, Elusive Signs provides a revealing picture of Nauman’s extensive artistic
career. Central to the exhibition and to his achievement are examples of his vast explorations
of text, ranging from the terse Raw War to the overpowering One Hundred Live and Die. Don’t miss this powerful, exciting, insightful survey of one of the central figures of contemporary art.
Presented by
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Elusive Signs: Bruce Nauman Works With Light was curated by Joseph D. Ketner II for the Milwaukee Art Museum and organized for the Henry Art Gallery by Chief Curator Elizabeth Brown. The Presenting Sponsor is Christie’s. Major funding is also provided by the Paul G. Allen Family Foundation, ArtsFund, and Barb and Charlie Wright. In-kind support provided by Pyramid Ales and Hogue Cellars. |
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